France d'Europe Pétrole en gros Peignant, le Cadre d'Image, Mouler, le Miroir, les Barres de Civière

 
 

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Giovanni Francesco Guercino

1591-1666 Italian Giovanni Francesco Guercino Galleries

ID de tableau::  1819
The Raising of Lazarus
L-Elever de Lazarus
1619 Musee du Louvre, Paris
1619 Musée du Louvre, Paris
1591-1666 Italian Giovanni Francesco Guercino Galleries

   
 

 

 
   
      

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John Pynas

1583-1631 Dutch John Pynas Gallery

ID de tableau::  3432
The Raising of Lazarus
LElever de Lazarus
1615 Philadelphia Museum of Art
1615 Le Musée de Philadelphie dArt
1583-1631 Dutch John Pynas Gallery

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

ID de tableau::  8777
The Raising of Lazarus
L-Elever de Lazarus
c. 1630 Oil on panel, 96.2 x 81.5 cm Los Angeles County Museum of Art, Los Angeles
c. 1630 Huiler sur le panneau, 96.2 x 81.5 cm Le Musée de Comté de Los Angeles d-Art, Los Angeles
Born 1606, Died 1669

   
 

 

 
   
      

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Henry Ossawa Tanner

African-American Realist Painter, 1859-1937

ID de tableau::  11733
The Raising of Lazarus
L - Elever de Lazarus
1896(Salon of 1897) 3' 1 1/2'' x 3' 11 3/4''(95 x 121.5 cm)
1896 (le Salon de 1897) 3 › 1 1/2 › › x 3 ›11 3/4 › › (95 x 121,5 cm)
African-American Realist Painter, 1859-1937

   
 

 

 
   
      

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Palma Vecchio

1480-1528 Italian Palma Vecchio Gallery

ID de tableau::  29888
The Raising of Lazarus
L~Elever de Lazarus
mk67 Panel 37x43 5/16in Uffizi,Gallery
mk67 Panneau 37x43 5/16in Uffizi, la Galerie
1480-1528 Italian Palma Vecchio Gallery

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

ID de tableau::  34417
The Raising of Lazarus
L~Elever de Lazarus
mk93 c.1630-31 Oil on panel 38x32in County Museum of Art Los Angeles
mk93 c.1630-31 Pétrole sur lambrise 38x32in Musée de Comté de Los Angeles d~Art
Born 1606, Died 1669

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

ID de tableau::  34418
The Raising of Lazarus
L~Elever de Lazarus
mk93 1631 Oil on canvas 40 1/2x44in Brighton Museum and Art Gallery England
mk93 1631 Huilent sur le canevas 40 1/2x44in Musée de Brighton et Angleterre de Galerie d~art
Born 1606, Died 1669

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

ID de tableau::  34580
The Raising of Lazarus
L~Elever de Lazarus
mk93 c.1630/31 Oil on panel 96.2x81.5cm Los Angeles,County Museum of Art
mk93 c.1630/31 Pétrole sur lambrise 96.2x81.5cm Los Angeles, le Musée de Comté d~Art
Born 1606, Died 1669

   
 

 

 
   
      

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Sebastiano del Piombo

1485-1547 Italian Sebastiano del Piombo Galleries

ID de tableau::  42974
The Raising of Lazarus
mk170 1517-1519 Oil on canvas 381x289.6cm
1485-1547 Italian Sebastiano del Piombo Galleries

   
 

 

 
   
      


ID de tableau::  52567
The Raising of Lazarus
c. 1455 Oil on wood, 122 x 92 cm

   
 

 

 
   
      

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Albert van Ouwater

Albert van Ouwater (c. 1410/1415-1475) was one of the earliest artists of Early Netherlandish painting working in the Northern Netherlands, as opposed to Flanders in the South of the region. [edit] BiographyHe was probably born in Oudewater, and is mentioned by Karel van Mander (1604) as a reputable painter at the time in which he lived.[1] According to Karel van Mander he was possibly a contemporary of Jan van Eyck and had been the teacher of Geertgen tot Sint Jans, though he was quick to qualify this statement with the eye-witness account of an old man named Albert Simonsz who had been a pupil of Jan Mostaert and claimed neither he nor Mostaert had ever even heard of this Albert van Ouwater or Geertgen tot Sint Jans.[1] Van Mander highly commends an altarpiece by Van Ouwater in the principal church in Haarlem, the Grotekerk or Sint-Bavokerk, representing St. Peter and St. Paul, in which the figures are carefully and correctly designed, and richly coloured.[1] Van Mander posits Van Ouwater as the founder of the Haarlem school of painting, making him the first major Dutch (as opposed to Flemish) artist. According to Van Mander, landscape painting was a particular specialty of this Dutch school, although none of Van Ouwater's surviving works exhibit this tendency. Van Ouwater seems to have been a contemporary of Dirk Bouts in mid-15th-century Haarlem, and Geertgen tot Sint Jans may have been his pupil.

ID de tableau::  87262
The Raising of Lazarus
1455(1455) Medium Oil on wood cyf
Albert van Ouwater (c. 1410/1415-1475) was one of the earliest artists of Early Netherlandish painting working in the Northern Netherlands, as opposed to Flanders in the South of the region. [edit] BiographyHe was probably born in Oudewater, and is mentioned by Karel van Mander (1604) as a reputable painter at the time in which he lived.[1] According to Karel van Mander he was possibly a contemporary of Jan van Eyck and had been the teacher of Geertgen tot Sint Jans, though he was quick to qualify this statement with the eye-witness account of an old man named Albert Simonsz who had been a pupil of Jan Mostaert and claimed neither he nor Mostaert had ever even heard of this Albert van Ouwater or Geertgen tot Sint Jans.[1] Van Mander highly commends an altarpiece by Van Ouwater in the principal church in Haarlem, the Grotekerk or Sint-Bavokerk, representing St. Peter and St. Paul, in which the figures are carefully and correctly designed, and richly coloured.[1] Van Mander posits Van Ouwater as the founder of the Haarlem school of painting, making him the first major Dutch (as opposed to Flemish) artist. According to Van Mander, landscape painting was a particular specialty of this Dutch school, although none of Van Ouwater's surviving works exhibit this tendency. Van Ouwater seems to have been a contemporary of Dirk Bouts in mid-15th-century Haarlem, and Geertgen tot Sint Jans may have been his pupil.

   
 

 

 
   
      

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Geertgen Tot Sint Jans

Netherlandish Northern Renaissance Painter, ca.1460-1490

ID de tableau::  87263
The Raising of Lazarus
1480(1480) Medium Oil and tempera on panel cyf
Netherlandish Northern Renaissance Painter, ca.1460-1490

   
 

 

 
   
      

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Bohumil Kubista

(1884 - 1918) was a Czech painter and art critic, one of the founders of Czech modern painting. He studied at the School of Applied Arts in Prague, but left in 1906 to study at the Reale Istituto di Belle Arti in Florence. He, Emil Filla, Antonin Prochezka, and five others founded Osma (The Eight), an Expressionist-oriented group of artists. Kubišta came to his individual expression gradually, at first he was influenced by the work of Vincent van Gogh and Paul Cezanne. He educated himself in in philosophy and optics, and studied colour and the geometrical construction of painting. Kubišta, like several other Czech artists of his generation, was strongly affected by the 1905 Edvard Munch exhibition in Prague. Together with Emil Filla he established the artistic group Osma in 1907. He worked in an Expressionist style until 1910, and exchanged ideas with German painters in Die Bre - ke. He also developed visual ideas learned from the work of Cezanne. His later style (approximately from 1911) was strongly influenced by cubism and expressionism. Expressionist elements, particularly his use of color but also his subject matter, immediately distinguish Kubištaes cubist work from that of founding Paris Cubists Picasso and Braque. He studied color theory, analyzing the harmonic and compositional principles of painters such as El Greco, Eugene Delacroix, Vincent van Gogh, and Edvard Munch. He also paid close attention to mathematical and geometric principles. Around 1911, he became acquainted with Jan Zrzavý and the artistic group Sursum. He died prematurely during the global 1918 flu pandemic which ravaged Europe after the First World War.

ID de tableau::  90908
The Raising of Lazarus
Oil, canvas Dimensions 163,5 x 126,5 cm cyf
(1884 - 1918) was a Czech painter and art critic, one of the founders of Czech modern painting. He studied at the School of Applied Arts in Prague, but left in 1906 to study at the Reale Istituto di Belle Arti in Florence. He, Emil Filla, Antonin Prochezka, and five others founded Osma (The Eight), an Expressionist-oriented group of artists. Kubišta came to his individual expression gradually, at first he was influenced by the work of Vincent van Gogh and Paul Cezanne. He educated himself in in philosophy and optics, and studied colour and the geometrical construction of painting. Kubišta, like several other Czech artists of his generation, was strongly affected by the 1905 Edvard Munch exhibition in Prague. Together with Emil Filla he established the artistic group Osma in 1907. He worked in an Expressionist style until 1910, and exchanged ideas with German painters in Die Bre - ke. He also developed visual ideas learned from the work of Cezanne. His later style (approximately from 1911) was strongly influenced by cubism and expressionism. Expressionist elements, particularly his use of color but also his subject matter, immediately distinguish Kubištaes cubist work from that of founding Paris Cubists Picasso and Braque. He studied color theory, analyzing the harmonic and compositional principles of painters such as El Greco, Eugene Delacroix, Vincent van Gogh, and Edvard Munch. He also paid close attention to mathematical and geometric principles. Around 1911, he became acquainted with Jan Zrzavý and the artistic group Sursum. He died prematurely during the global 1918 flu pandemic which ravaged Europe after the First World War.

   
 

 

 
   
      

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Carel fabritius

Dutch painter (b. 1622, Middenbeemster, d. 1654, Delft

ID de tableau::  97107
The Raising of Lazarus
circa 1645(1645) Medium oil on canvas Dimensions 210.5 X 140 cm (82.9 X 55.1 in) cyf
Dutch painter (b. 1622, Middenbeemster, d. 1654, Delft

   
 

 

 
   
      

Carel fabritius
Dutch painter (b. 1622, Middenbeemster, d. 1654, Delft
The Raising of Lazarus

        
 
   
 

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